BEGIN:VCALENDAR X-WR-TIMEZONE:America/Chicago PRODID:-//University of Iowa//Events 1.0//EN VERSION:2.0 CALSCALE:GREGORIAN BEGIN:VEVENT DTSTAMP:20240329T112941Z DTSTART:20210318T190000 DTEND:20210318T220000 SUMMARY:Black Lives on Screen: "Tongues Untied" DESCRIPTION:Showcasing the work of a diverse range of acclaimed African American and Black filmmakers\, artists\, and scholars\, the Black Lives on Screen online screening series and discussions will promote and celebrate the rich history\, present\, and future of Black cinematic expression in the context of an inclusive\, educational\, and inspiring experience for the entire UI community.\n\nEvent Information: Screening of Tongues Untied (dir. Marlon Riggs\,1989\; 55 min) with with guest speakers\, Dr. Andrew Owens (UI-Cinematic Arts) and Assistant Professor Alfred L. Martin\, Jr. (UI-Communication Studies).\n Host: Professor Michael Cowan (UI-Cinematic Arts)\n\n\n\n \n \n \n \n\n \n\n\n\nMarlon Riggs’ essay film Tongues Untied gives voice to communities of black gay men\, presenting their cultures and perspectives on the world as they confront racism\, homophobia\, and marginalization. It broke new artistic ground by mixing poetry (by Essex Hemphill and other artists)\, music\, performance and Riggs’ autobiographical revelations. The film was embraced by black gay audiences for its authentic representation of style\, and culture\, as well its fierce response to oppression. It opened up opportunities for dialogue among and across communities. Tongues Untied has been lauded by critics for its vision and its bold aesthetic advances\, and vilified by anti-gay forces who used it to condemn government funding of the arts. It was even denounced from the floor of Congress. “Black men loving Black men is the revolutionary act” is the rallying cry at the film’s end and after more than 20 years\, Tongues Untied remains a celebrated vehicle for eloquent self-expression and liberation. ~ California Newsreel\n\n\n\n \n \n \n \n\n \n\n\n\nDr. Andrew Owens is a Lecturer in the Department of Cinematic Arts at the University of Iowa. His teaching and research interests include media historiography\, LGBTQ+/critical race theory\, genre studies\, and media industry studies. His first book\, Desire After Dark: Contemporary Queer Cultures and Occultly Marvelous Media (Indiana University Press\, 2021)\, constructs a cultural and industrial history of queer occult media from the 1960s to the present.\n\n\n\n \n \n \n \n\n \n\n\n\nDr. Alfred L. Martin\, Jr. is an Assistant Professor in the Department of Communication Studies at the University of Iowa. Dr. Martin is a media and cultural studies scholar whose work is concerned with the complex interplay between media industry studies and audience/fandom studies as related to television and film studies\, critical black studies\, sexuality\, and gender studies. Martin’s book\, The Generic Closet: Black Gayness and the Black-Cast Sitcom (Indiana University Press\, 2021) argues that the black-cast sitcom is an explicit genre\, and therefore its engagement with black gayness does not resemble any other contemporary genre. By examining audience reception\, industrial production practices\, and authorship\, the project argues that representations of black gay characters are trapped into particular narrative tropes.\n\nSuggested Readings:\n\nLeah Anderst\, “Calling to Witness: Complicating Autobiography and Narrative Empathy in Marlon Riggs’s Tongues Untied.” Studies in Documentary Film 13.1 (2019): 73-89.\n Patricia Aufderheide\, “Controversy and the Newspaper’s Public: The Case of Tongues Untied.” Journalism & Mass Communication Quarterly 71.3 (September 1994): 499-508\n Brother to Brother: Collected Writings by Black Gay Men\, ed. Essex Hemphill (New Orleans: RedBone Press\, 2007)\n\n\nhttps://events.uiowa.edu/40031 LOCATION:null\, \, \, UID:edu.uiowa.events-prod-40031 X-ALT-DESC;FMTTYPE=text/html:
Showcasing the work of a diverse range of acclaimed African American and Black filmmakers\, artists\, and scholars\, the Black Lives on Screen online screening series and discussions will promote and celebrate the rich history\, present\, and future of Black cinematic expression in the context of an inclusive\, educational\, and inspiring experience for the entire UI community.
\n\nEvent Information: Screening of Tongues Untied (dir. Marlon Riggs\,1989\; 55 min) with with guest speakers\, Dr. Andrew Owens (UI-Cinematic Arts) and Assistant Professor Alfred L. Martin\, Jr. (UI-Communication Studies).
\n Host: Professor Michael Cowan (UI-Cinematic Arts)
Marlon Riggs’ essay film Tongues Untied gives voice to communities of black gay men\, presenting their cultures and perspectives on the world as they confront racism\, homophobia\, and marginalization. It broke new artistic ground by mixing poetry (by Essex Hemphill and other artists)\, music\, performance and Riggs’ autobiographical revelations. The film was embraced by black gay audiences for its authentic representation of style\, and culture\, as well its fierce response to oppression. It opened up opportunities for dialogue among and across communities. Tongues Untied has been lauded by critics for its vision and its bold aesthetic advances\, and vilified by anti-gay forces who used it to condemn government funding of the arts. It was even denounced from the floor of Congress. “Black men loving Black men is the revolutionary act” is the rallying cry at the film’s end and after more than 20 years\, Tongues Untied remains a celebrated vehicle for eloquent self-expression and liberation. ~ California Newsreel
\n\nDr. Andrew Owens is a Lecturer in the Department of Cinematic Arts at the University of Iowa. His teaching and research interests include media historiography\, LGBTQ+/critical race theory\, genre studies\, and media industry studies. His first book\, Desire After Dark: Contemporary Queer Cultures and Occultly Marvelous Media (Indiana University Press\, 2021)\, constructs a cultural and industrial history of queer occult media from the 1960s to the present.
\n\nDr. Alfred L. Martin\, Jr. is an Assistant Professor in the Department of Communication Studies at the University of Iowa. Dr. Martin is a media and cultural studies scholar whose work is concerned with the complex interplay between media industry studies and audience/fandom studies as related to television and film studies\, critical black studies\, sexuality\, and gender studies. Martin’s book\, The Generic Closet: Black Gayness and the Black-Cast Sitcom (Indiana University Press\, 2021) argues that the black-cast sitcom is an explicit genre\, and therefore its engagement with black gayness does not resemble any other contemporary genre. By examining audience reception\, industrial production practices\, and authorship\, the project argues that representations of black gay characters are trapped into particular narrative tropes.
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